DnB classics mix from 2003

Yo. Happy fricken 2016, peeps!

This is one of those rare “not a label mix” posts as a belated holiday season gift for you all. The last one I did was waaay back in 2014. This month’s mix is a personal favourite of mine – a set I did live, like, for real, in 2003 in a teensy tiny club in Christchurch, New Zealand, of all places, the name of which I forget but I’m sure it was an animal of some kind. Definitely not a turtle or a puffin. All ten people on the dancefloor were having a good time, believe you me, and no fisticuffs broke out. I presume due to the sheer skill of the DJ. The place smelled strongly of stale shit-NZ-beer and students.

What I love most about this selection is that it perfectly encapsulates my own personal memories of that late-90s, early-2000s style of DnB, which was ‘my era’ from both a raving and tunes perspective when I was all adorable and shiny and chrome… before Pendulum apparently ruined everything with the release of Hold Your Colour.

I joke of course.

Not really :/

Ok I do.

Love you, Pendeez! If you bookend an entire era of music that’s probably a good indication you’re doing it right…

The late 90s / early-2000s was when DnB was recovering from its then-recent attempts to socially cleanse the scene of anything remotely female, and the sound was reincorporating earlier influences again. Jazz-step suddenly returned as ‘Liquid’ and tech-step was re-imagined as ‘Neurofunk’. Oldskool hardcore stabs and breakbeats were back as if they’d never been usurped by filtered Reese basslines and squelchy stuff at all. It was an immensely rich and evolving time for drum and bass music.

The mix is complete and unashamed anthem-bashing, but what anthems they are! From all time tease-classics like The Nine, Messiah, Titan and Alien Girl, through to personal top Bad Company tunes Nitrous and Flashback (Tumpa). The Total Science remix of Champion Sound is probably my top 1 favourite track of all time – I vividly recall going mental to this when I heard it for the first time at a Grooverider gig. To this day I still get caught ‘singing’ the breakdown when Champion Sound comes on at raves. An utterly epic and wonderful hands in the air classic.

So, with love, from me to you. Happy new year peeps. New actual real blog post coming soon – it’s gonna be jungle-tastic.

Oh by the way, you can now get all of the blog mixes sent to your phone with no effort if you subscribe to the podcast. It’s taken me two years to figure this shit out.

John B – Up All Night rmx
Mosus and Killjoy – I Like it Rough
Marcus Intalex and ST Files – Barracuda
Tech Itch & Kemal – The Calling
Keaton & Hive – The Plague
> Q Project – Champion Sound (Total Science Remix)
Ed Rush, Optical, & Fierce – Alien Girl
Dillinja – Thugged Out Bitch
> Bad Company – The Nine
Dillinja – Aint Too Loud
Bad Company – More Fire
Dom & Roland – Dynamo
Bad Company – Nitrous
Distorted Minds – Warriors
Distorted Minds – Fight Club
Simon Bassline Smith and Drumsound – Fallin’
> Trace and Ryme Tyme – Move VIP
Concord Dawn – Morning Light
Raiden – All Out War
Dillinja – Twist Em Out
Bad Company & Trace – Flashback (Tumpa)
DJ Marky and XRS – Closer
J Majik – The Lizard
Ram Trilogy – Titan
Konflict – Messiah
Ram Trilogy – Beast Man
DJ Zinc – Super Sharp Shooter Remix

Download MP3 320kbps 80mins

Cybotron Records

Sup, G here. Apologies for the delay. Life gets in the way sometimes.

This is the first Dillinja post on this blog. I feel slightly ashamed about that as Dillinja is undoubtedly up there with the greatest of all time jungle producers – possibly THE greatest. But I let others decide on that. Stab in the dark for fave D tune? Got to be any of the three tracks off of Angels Fell but that’s just me. Maybe Silver Blade? Or Threshold? Too many to count…

I’m going to assume anyone reading this already has a working knowledge of Dillinja’s body of work, so if not, I can only apologise, uber-geek wanky shit is ahead.

cybotronAnyway, back in the period 1993-95 Dillinja was at his most prolific, putting out track after track, week after week, on many different labels under numerous pseudonyms. I’m led to believe he was literally living in his studio at this point in time, if he wasn’t out delivering stacks of his own wax around London-town. Compared to Dillinja’s output on Deadly Vinyl, Logic Productions, Conqueror, Philly Blunt and Lionheart (among others) from around the same era, the Cybotron tunes strike me as being much more on the experimental side. Influences abound, from straight up hardcore and darkside jungle, to hip hop, sci-fi films, and ragga. I guess not entirely surprising as Dillinja was still learning the craft here. In this post, I’m mixing every tune that was put out on the label.

It is sad to see that these records have now become quite scarce. If you’re looking on Discogs you’ll probably see that many are up for sale only very infrequently. Those that do come up are often price-gouged. That’s a pity because the Cybotron tunes are some of Dillinja’s most interesting from a purely ‘listening’ perspective as opposed to straightforward dancefloor tracks, but at the same time I’m not aware of much, if any, availability on digital formats. Supply and demand, hey?

Cybotron Records cat numbers are fairly confusing as some were pressed on other labels. My take on the complete output is as follows, going strictly by DILL cat numbers which to me form the full Cybotron canon.

  • DILL 01 – Steal the Way / Forever Fierce
  • DILL 02 – Lock Me Out / Dark Influence
  • DILL 03 – From Beyond / Ride it Hard
  • DILL 04 – Sinewave / Dark Science
  • DILL 05 – Black Wax EP (on Target Records)
  • DILL 06 – Majestic B-Line EP (On Deadly Vinyl)
  • DILL 07 – Imperial Stix EP
  • DILL 08 – Test 2 EP (On Wave Form Records)

The only addition to this list is the second release on Target Records, Underworld – The Rising, which I’ve included in the mix for completeness as DILL 05 was also a Target release… the only other Target release, as it eventuated. The Rising features the cat number KARL 001 which is interesting to those who cling nerdfully to this kind of trivia – Dillinja’s real name being Karl Francis of course. Underworld was comprised of Dillinja and Defender (of Feel It fame), whom I’ve talked about previously in an older post. I was considering including the Digital Cloning EP in the mix too, which is another Dillinja release from around the same time on Tough Toonz, but I thought that would be a bit of a stretch so I left it off. And even though the Majestic B Line EP, DILL 06, was out on Deadly Vinyl, I haven’t included the other Deadly Vinyl releases. There are other mixes on the internets with those tunes though if you want to go deeper. Here’s a smashing Dillinja retrospective mix too.

More trivia:

  • The first four Cybotron releases were all pressed with both tunes on the A side. Not sure why that happened but it means that whenever I’m searching for a record with a blank side these are the ones I know to reach for.
  • The name ‘Cybotron’ was later resurrected by Dillinja as the title of his mammoth debut LP in 2001. The sound had moved on from jungle but D was keepin’ it close to his roots. You’ll still hear classic tunes from this like All Aboard and Go Dillinja played out out at raves today.

Even from the very first release, Steal the Way / Forever Fierce, the Cybotron tracks are all distinctly Dillinja. Although those two tunes sound quite contemporary with their rave strings and stabs and chip-monked vocals to match, you still get the rough basslines and rap vocal fills that became synonymous with Dillinja’s productions later on. Things get a little darker with Lock Me Out and Dark Influence, but with From Beyond, a seething, breathing amen roller, and the funky mule-sampling Ride It Hard, Dillinja is properly in the zone. Dark Science is a fantastic 93-style dark jungle bleeps tune with similar atmospherics to the earlier From Beyond. On the flip to Dark Science is one of the more unusual tunes on Cybotron, Sinewave, which has some fairly intense stabs and weird beats that I find difficult to mix. Still quality though.

The later releases – Black Wax EP, Majestic B Line EP, Imperial Stix EP, and Test 2 EP – are all 4 trackers, except for Test 2 which is 3 tracks. It’s almost like Dillinja established the formula on the early tunes and then when into experimental overdrive once his confidence was up. It’s hard to separate the music on these EPs as they are all of very high quality, all extremely interesting, and all completely smash up the dance. It’s a dense body of work. Dillinja re-uses samples and breaks on many of these tracks which is actually quite cool as you can spot the style immediately. They may not be as technically proficient as Dillinja’s later work, particularly his tracks on Logic or Metalheadz, but it’s interesting to see the progression even just in the short year or so that these were made across. I get the feeling that Dillinja’s progress was driven as much by gear and tech upgrades through the 90s which went hand-in-hand-with intense bursts of creativity.

In spite of a notable lack of recent releases, Dillinja is still about, still in the scene, DJing at gigs quite frequently. And why not? If anyone has the right to trade on a legendary reputation it’s Dillinja. There have been noises for a while now that he is working on new tracks that harken back to the jungle days, albeit brought up-to-date with new-school production techniques. I have no idea whether or not this is still happening, but in interviews over the past few years Dillinja has made it very clear that there isn’t a lot in the music scene that truly enthuses him these days. There’s a real “over it” undertone in most of the exchanges that I’ve read, which is a shame, but totally understadable. Obviously it’s over 20 years ago now, but the rapid output and progress on Cybotron shows you what Dillinja was (and no doubt ‘is’) capable of when motivated. Here’s hoping the releases resume at some point. Luckily, we only ever look back in time on this blog so we don’t have to worry about any of this ‘future music’ nonsense.

Tracklist

Dillinja – Steal The Way
Majestic B Line A2
Dillinja – Forever Fierce
Capone + Clarky – Dark Science
Majestic B Line A1
Capone – Lock Me Out
Capone + Clarky – Sinewave
Dillinja – Ride It Hard
Capone – Dark Influence
Majestic B Line B1
Dillinja – From Beyond
Black Wax EP A1
Imperial Stix EP A2
Black Wax EP A2
Imperial Stix EP A1
Underworld – Maximum Pleasure
Imperial Stix EP B1
Dillinger – Test 2 B2
Black Wax EP B1
Dillinger – Test 2 B1
Underworld – The Rising
Majestic B Line B2
Underworld – Love Cant Turn Around
Imperial Stix EP B2
Black Wax EP B2
Dillinger – Test 2 A

Download MP3 320kbps 83 mins